Realtime sound visualisation made with custom software "Partitura" Sound by Telefon Tel Aviv An ongoing collaboration between Abstract Birds and Quayola
This was an images we worked on years ago for the great photographer Joseph Cultice. Since I've been playing with the idea of making TinyPlanets lately I tested it out on this image and fell in love.
One of the most influential artist/designer in modern times. Paul Rand's work was more then just design, there was emotion and caring and thinking behind it all that really showed through. I remember first studying his work in school and looking and looking and looking at one of his logos over and over and over again. They just seemed to draw you in and make you think and question and learn. Talent like that really inspires me.
The Rethink Scholarship is an $18,000 scholarship for aspiring art directors and designers to Langara College's Communication and Ideation Design program. The winner will also receive a 3-month internship with Rethink.
Taking inspiration from popular culture, Tim Burton (American, b. 1958) has reinvented Hollywood genre filmmaking as an expression of personal vision, garnering for himself an international audience of fans and influencing a generation of young artists working in film, video, and graphics. This exhibition explores the full range of his creative work, tracing the current of his visual imagination from early childhood drawings through his mature work in film. It brings together over seven hundred examples of rarely or never-before-seen drawings, paintings, photographs, moving image works, concept art, storyboards, puppets, maquettes, costumes, and cinematic ephemera from such films as Edward Scissorhands, The Nightmare Before Christmas, Batman, Mars Attacks!, Ed Wood, and Beetlejuice,and from unrealized and little-known personal projects that reveal his talent as an artist, illustrator, photographer, and writer working in the spirit of Pop Surrealism. The gallery exhibition is accompanied by a complete retrospective of Burton’s theatrical features and shorts, as well as a lavishly illustrated publication.
"I always say you can tell by the amount of dog shit in the street."
If graphic design has a grand master, then Milton Glaser is Michelangelo. The Dylan poster. The oh-so-ripped-off “I ‘Heart’ NY” logo. The image for Angels in America. New Yorkmagazine. Everything else.
Glaser has worked nonstop for over forty-five years, co-founding the revolutionary Pushpin Studios in 1954, launching New York magazine with Clay Felker in 1968, establishing Milton Glaser, Inc. in 1974, and teaming with Walter Bernard in 1983 to form the publication design firm WBMG. Throughout his career, Glaser has created hundreds of posters and prints, and his artwork has been featured in exhibits worldwide, including one-man shows at both the Centre Georges Pompidou in Paris and the Museum of Modern Art in New York.
In 1973 he published what is widely regarded as the first graphic design monograph, Milton Glaser: Graphic Design, and in 2000 he published Art Is Work—essentially “Episode II” of his professional life.
We talked on a stifling July afternoon in the small conference room of his adorable, toylike brownstone in the Murray Hill section of Manhattan. Fun fact: Throughout the interview Mr. Glaser held in either hand (and occasionally waved) a bright piggy-pink colored pencil.
The EyeWriter project is an ongoing collaborative research effort to empower people, who are suffering from ALS, with creative technologies.
It is a low-cost eye-tracking apparatus & custom software that allows graffiti writers and artists with paralysis resulting from Amyotrophic lateral sclerosis to draw using only their eyes.
Taming Light is a group exhibition of new painting, photography and illustration paying tribute to one of the pre-eminent filmmakers of the 20th Century, Stanley Kubrick.
This astonishing 18ft drawing of the world’s most famous skyline was created by autistic artist Stephen Wiltshire after he spent just 20 minutes in a helicopter gazing at the panorama.
The unbelievably intricate picture was drawn at Brooklyn’s prestigious Pratt Institute from Stephen’s memory, with details of every building sketched in to scale.